nature prisms

one of our new features on the blog is all about artists we love…whose work strikes us in a certain way and inspires us. this week i stumbled upon the work of joe ryckebosch, who uses found images of nature and wildlife and overlays them with brightly colored lines representing patterns he sees in nature that are invisible to the human eye.
joe answered some questions for me about the thought process behind his work…check out the interview and some of his artwork below!

“discoveries”
where are you from?
i live and work in portland, or. i’m originally from a small town in southern california. i lived in the san francisco bay area for several years and it was there when i discovered the shapes and patterns that make up the work i produce today. my wife and i lived in nyc for a short spell, but it really didn’t work out very well (living in nyc). we moved to portland in 2007 and the change of scenery really inspired me to start the nature paths and wildlife analysis series in my art.

“radiant jay”
what is the inspiration behind memory screens of things seen and unseen?
i wanted to try and convey the idea that we sometimes remember or recall things a certain way and our minds have this strict idea of exactly how we saw it or perceived it, but that sometimes is not the case and these things, such as nature and wildlife, are not exactly that way and the entire time they had this sort of aura or life force surrounding them. in my work this life force becomes palatable in the shape of colored lines and patterns.
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“panthervision”
where do you find your nature imagery?
ahh, well i find these things all over the place. i like to take little trips on saturday morning up and then back down 82nd ave. (in portland) and stop at all the thrift stores along the way. there are about 4 of them and in my “rounds” i usually end up with a few good finds.
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“lupine shine”
how do the “unseen patterns” come to you?
they just sort of pop out of an image as soon as i see it. It’s funny, i will walk into a place and see an image just sort of staring back at me. i instantly know if i can work with it and perhaps, hopefully, remix it to the way i see the patterns emerging.
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“forest relics”
can you explain the phrase “nature authors nature”?
well, i can provide an example: the water flows down the stream and feeds all life in its path. what if the water was really this colorful life source surging forth? it is not really a liquid anymore but rather a source of power, a necessary thing that will ultimately sustain life. nature then edits the way things really are, nature’s unseen editing will dictate and govern how things should and will be. i try and bring that to the foreground in my work.
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“spectral falls”
who are your heroes?
hamish kilgour, jack k., william b., the ether spring, david r., jonathan ames, sara bir, and tony turano.
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“majesty tree”
what does “free people” mean to you?
free to choose, free to live, free to think. un-inhibited and never afraid to try new things, despite oppressive factions and dictatorships.
memory screens of things seen and unseen is on display at half & half gallery in portland through november 1.

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Comments

Patrick -October 24, 2009, 11:22AM

Artists and designers are special because they possess the ability of the creativity. I like all of the pictures, but especially the Bird!
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Galvin Green -October 25, 2009, 7:25PM

Interesting concept it could be that the coours we see are all false who know it could look like this in reality.

Natalie -October 26, 2009, 2:53AM

His work is fantastic. I would love to visit portland, oregan. it must be so beautiful over there! great post
xoxo
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Nikki -October 26, 2009, 12:08PM

That’s pretty groovy.
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